KQED
About a month ago our publicist called me to say that an NPR producer had read my article about the new paradigm in Children's music and wanted to do a full hour show based on the recent success of Ex-rock and rollers gearing their sound to be "all-ages" music. She asked me If I would like to be a guest, and I agreed. The show is called Forum with Michael Krasny on KQED, the largest NPR affiliate in the country. I was patched in live from the WBUR studio in Boston thinking I would be the one of two guests that morning. Actually here was the final line up with the shows theme (which changed once the show was over):
MUSIC for KIDS:
Forum examines recent shifts in the way music is geared toward young audiences.
Host: Michael Krasny
Guests:
| Ben Miller-Izios, rapper, musician and student at the San Francisco Art Institute |
| Eric Arnold, freelance writer whose work has appeared in the San Francisco Chronicle, SF Weekly, and Vibe Magazine, among many others |
| Jay Sweet, senior contributing editor of Paste Magazine and founder of Sweet and Doggett, a music consulting firm |
Michael Morgan, music director of the East Bay Symphony and the Sacramento Philharmonic, and artistic director of Oakland Youth Orchestra and Walnut Creekâs Festival Opera I had provided the producer with some of the best new kids music available, which they played through out the program. Kids music being my new found specialty due to my recent consulting work with Fisher-Price. If you have children you know the importance of "good" kids music over say Barney or Disney on Ice, just put yourself in a car with a two-year old and The Wiggles for three hours and you will understand my gist. Somewhere in the compiling of research for the show the meaning of "Kids Music" was not clearly defined. In other words while I was prepared to talk about the music being generated and marketed to 2-8 years olds, two of the other guests were prepared to discuss Hip-Hop's influence on 12-16 year olds. In other words this made for a somewhat disjointed discussion, which made it difficult to stay on point. The conversation seemed co-opted at times, but hopefully you'll find some nuggets. If you don't have time to hear the whole show or If you are just curious about my comments here is the link Music For Kids KQED I start off the show 2:50 and then my comments come in again at: 21:01, 39:20, 43:22 Overall it was nice to focus on demographic that is many times over-looked when it comes to music, and it's always fun to be on NPR. |

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